Constance and Virgil

Is that our coach? Constance asks. It’s all yellow and green just like the …
… one we went to Bognor in for our honeymoon, Virgil finishes.
Wonderful! Where did you find it?
Well, if anything, it found me.
Oh, an adventure, how lovely! Constance says. It’s not one of your make-believes, is it?
Look at him.
The coach driver, dressed in a smart navy-blue suit, doffs his shiny peaked cap, revealing an impressive head of coiffured black Brylcreamed hair. Welcome to the famous Nostalgia Tours, a company limited by time, he says. Your seats are at the front. 

Seated on board, Constance observes, seems we’re the only passengers. Bit odd, isn’t it?
A result of Covid, perhaps? After all, it did for us. 
Is it an expensive trip? Constance asks as the coach pulls away.
I thought it reasonable.

Constance opens her eyes, Gosh, that was quick. Are we there yet?
That brings back memories. You were asleep.

The bus halts. Constance and Virgil stand in a broad village street of old stone houses.
Where did our coach go? Constance asks. How will we get back?
Maybe we won’t, Virgil says, kissing his wife on the cheek. Let’s look at our old house.
As they walk, arm in arm, an unexpected shower falls. Is it snowing? She asks.
It’s dust, Virgil sneezes. Here we are. Once, where we belong, to mis-quote Jo Cocker.
Passing through the wooden farm-style gate they enter a garden. 
The falling dust becomes a haze. Taking a deep breath, Virgil blows it away.
There it is! Our garden. Constance cries out in delight.
Birdsong fills the air. Collared doves, as ever, cry, it’s awful. 
Bloody doves. It’s beautiful. But why is there a soundtrack? It’s like an ad for Cartland’s romantic slush. Across the front of the sunlit stone house a multitude of white roses bloom.How can that be? she asks. It’s the wrong time of year.
Virgil looks at his watch. It’s stopped. Oh dear, oh dear, like the rabbit, we can’t be late for our important date.

Constance and Virgil stand in the churchyard of St Aidan’s. No mourners are at the side of an open grave where the celebrant delivers the blessing.
If that’s our grave, where are our children? Constance asks.  
No one allowed. So sad. 
Bloody Covid! I’ve tried to forget all that suffering.
We were lucky to go together.
Look! That’s our coach driver. Constance laughs. He’s bald as a coot. That teddy-boy look was a wig. And now he’s a vicar. Her tone changes. Hang on, they’re lowering in our coffins and I’m going in first. I’m not having that!
Why ever not?
I always preferred being on top.
That’s just our mortal bodies. 
I would still like to be on top.
Shall we find a hayrick? Virgil asks.
Do you think we could?
Only one way to find out.
You always were a randy sod, Constance laughs.

The vicar waves his wig and blows a kiss.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Loft

The pigeon loft that Maud, a devoted pigeoneer, constructed over many years is beautiful and luxurious – nothing being too good for her beloved carrier pigeons. The double occupancy bird boxes are impeccable and not much smaller than the rooms in a show-house on a Taylor-Wimpey estate. 

As she moved through childhood, puberty and adult life, she found increasing difficulty in forming lasting relationships with either sex; her pigeons always came back and were incapable of deceit. Now, in her eighties and frail, Maud lives alone; her spirit not dulled by ill-health.

Entering the loft, a wave of sadness overtakes her; once there had been forty birds; now, one bird remains: old, handsome and housed in a single occupancy box of some grandeur. The bird coos as Maud approaches, puts her hand inside the box, strokes the pigeon, and sits on a nearby stool gasping for breath, cursing the pain in her chest.

Do you ever wonder why I named you Caractacus? she asks.
The bird coos. 
It’s daft. Caractacus was a first century British warrior chieftain who fought the Romans. When I first got you, I was impressed. I was right, you kept the loft in order, often with a sharp peck of rebuke. Romantic old fool, aren’t I? 
The bird coos.
I need to talk to you, get something off my chest. I have no one else.
The bird coos, and struggles onto her lap.
I’m a mess. Old. I get things wrong on my computer; I hate the bloody thing. Anyway, I have a dicky heart that constantly gives me grief. Maud waits until the pain subsides. My GP refers me to a hospital. Turns out there are two hospitals in the same trust, each with a cardiology department. I receive a letter from one hospital giving me an appointment, followed by an email from the second hospital telling me that this appointment is a mistake. I don’t go to the appointment. Next, I get a letter from the first hospital telling me I have a new appointment and warns me that if I don’t attend, I will be denied treatment. I’m frightened. 

Maud weeps, carefully holding the bird. The pigeon coos.

Struggling for breath and with her pain soaring, Maud haltingly, continues. Two days later there’s an email: I don’t have an appointment. I telephone both hospitals and ask what’s going on. No one knows. I lose my temper. I’m accused of abusing staff and censured. Two weeks later another letter arrives from the first hospital offering me a further appointment and it’s my very last chance. Nothing else arrives. I give up. I don’t go to the appointment. I’m too ill. A final letter arrives – I’m wasting their time and will be denied care. Too late now, bureaucracy, she gasps.

Maud and the pigeon fall from the stool. 
I love you, old friend, she whispers.
The bird is silent; too infirm to fly. 

No one comes. The loft falls into ruin.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.


The Gambler

A man is beachcombing with his dog on the northern shoreline of the tidal estuary near the derelict windmill. The dog growls and barks. The man shouts in horror, Drop it! In its mouth it holds a fully fleshed severed human head by the ear.

It’s night. Conrad, in his car, struggles to find his way through the chaotic network of narrow tracks on the southern shore of the estuary. Finally, his headlights pick out a fingerpost indicating, ‘The Causeway’. He sets off on foot, shivering in the cold damp air, searching for the seldom seen Roman causeway. Legend has it that it leads from one side of the estuary to the other at the time of an exceptionally low Spring tide; the water recedes, revealing the causeway, stretching across the vast expanse of mud. No living person is known to have made the crossing. 

Conrad worries about the wisdom of his bet; but the bookie offering to clear all his huge gambling debts for this one-off wager was too good to miss. The bragging rights of success would be invaluable in restoring his self-respect and reputation.

After fighting his way through reed beds, he arrives at the wooden pier where the path to the causeway supposedly starts. Clouds part and a bright moon shines. It doesn’t take him long to discover that the pier is a rotten death trap. 

Jesus! Conrad shouts. Who the fuck are you? he demands as a small boy takes his hand. Can you talk?
The boy shakes his head, gesticulating that he cannot speak.
You look like you were born old, Conrad thinks. Have you come to guide me? 
The boy nods.

After a short walk the boy points at the long causeway, leading out across the mud. Conrad, elated, sees a construction made of thousands of sets in serried rows. They should be stone, but somehow, they’re not. More like metal, he thinks. What does it remind me of? Can’t be, he concludes. Looking down he sees the boy grinning at him. You know what I’m thinking, don’t you? The boy nods.

Did this just move? Conrad wonders, standing on the causeway. Alarmed, he kneels and touches the surface on which he stands. Not stone. Not metal. A distant heartbeat! Animal scales. Shit! he gasps. He turns to retrace his steps but hesitates; he thinks of being debt free at last. The boy grabs his hand and pulls him on. It must be safe otherwise the child wouldn’t be here, Conrad reasons. 

As they reach the northern shore he sees the derelict windmill. He looks down: the boy has gone. Conrad leaps onto the shingle and shouts, Done it! Free!

He turns. It’s a fucking crocodile! Conrad freezes, hypnotised, as he stares into the monster’s unblinking eyes. Suddenly, the creature lunges forward, engulfing Conrad in its enormous mouth; his screams are drowned out as the crocodile eats him alive. Sated, the animal opens its mouth wide, belches, and spits out Conrad’s severed head.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A Journey

Fast asleep, Kristof dreams. It is dark. Out of the darkness, a man, wearing a two-piece suit, joins him. Are you ready Kristof? He asks.
For what?
I’m your guide.
Don’t I know you? Kristof asks. 
Perhaps. Time to go. 
Where?
To places you’ve not seen.

Where are we? Kristof asks.
A bedroom in a care home.
Can the man in the wheelchair see us?
No.
Why is he sobbing?
Alwyn’s been broken by care less ness. Once he had a carer who came to his small bungalow each day. This was deemed too expensive. The carer was sacked; he’d learnt Alwyn’s chaotic language, was able to understand him, and interpret on his behalf. Alwyn’s disease means he can’t write and, without comprehensible speech, he’s imprisoned in his abject loneliness in room 79. They call him ‘mutey’; he’s forty-eight years of age; he’s expected to have a long life imprisoned in himself.
Enough, Kristof says.

Not yet, the man says. Meet Cyril and Mags in their bedroom in the Green Pastures retirement home. They believe their only purpose is to die in comfort with as little pain as possible; they had hoped Covid would have ‘seen them off’. 
Who’s that woman who’s just come out of the bathroom? Kristof asks.
Their new carer, Queenie. She believes it’s her duty to try and lift them from their depression through kindness, and her trust in her Jesus. 
Where you from? Cyril demands.
Tooting, Queenie replies.
But you’re black, Mags objects. Where you really from?
Right, Cyril shouts, you can piss off! We never came here to be amongst blacks.
I’m not having no blacks wiping my arse, Mags adds.
I can’t stand much more of this, Kristof whispers.

It’s three in the morning in the area immediately surrounding St Paul’s Cathedral. 
Why are there hundreds of small tents pitched everywhere? Kristof asks.
They’re the homes of rough sleepers. Perhaps they thought they’d be safe being nearer to the house of their God? Can you hear heavy boots thumping on the ground, van doors slamming, sirens blaring and men shouting? 
Yes, It’s the police. What the hell are they doing? Kristof asks.
Evicting the sleepers, destroying their tents and stealing their possessions.
I didn’t know about this.
Suella Braverman opined that the poor living in tents were making a lifestyle choice. The only thing to do was for those who did that should be prosecuted for a criminal offence. As ever, the cops thought they had license to do what they liked – before the law was enacted. 

Why are you wearing my best suit? Kristof asks. 
Ah, now you recognize me? 
Not sure. We’re close aren’t we?
Once. Now we’re estranged. You put your conscience aside.
You’re me as well, Kristof gasps, the truth dawning.
Yes, the part of you that made you human – conscience. 
But I’m not responsible for the things you’ve just shown me.
Ignorance and laziness are no excuse for careless inhumanity, Conscience says.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A Forfeit

It’s the cusp of Winter and Spring. Abundant silver birch saplings, their teenage siblings and maturing elders are not yet in leaf, their trunks glistening white in the afternoon sun. Loreta finds the trees beautiful and takes a photograph. She walks on through the wood and emerges onto Spalford high street and fixes a notice to a fence – ‘Woodland for Sale’. 

Settled in the empty bar of The Wig, the pub where she will spend the night, she downloads the photographs she’s just taken onto her iPad. She trembles with excitement as she enlarges the image again and again, sits back, and thunderstruck, thinks, What the hell is that? At the right of the frame there’s something, caught in a beam of sunlight amidst the trees. The creature is tall, has a huge horse like head, around which a ruff of white branches shimmers. Its single eye stares straight at her; she blanches.

An elderly man enters the bar where Loreta is the only customer. Welcome, young lady. I heard we had a rare visitor to this god-forsaken hole. I’m Grenville, 
Hi, I’m Loreta. Join me for a drink?
Thanks, I will. A half of bitter would be good.
Loreta returns to her table with two beers.
You live here, Grenville? 
One of the few left.
Can I show you something that’s bugging me?
Loreta shows him the photograph of the creature. What is that?
Folklore has it that he’s a male dryad that guards our wood. Some say he makes folk disappear. 
Bit far-fetched, don’t you think?
Maybe. Why did you put up that for sale notice? 
That was quick.
Word soon gets around. So why?
The regional plan has designated these woods as unmanaged, not qualifying as an amenity, not economically viable, and will be sold for housing to the highest bidder.
They’re not for sale.
It’s approved government policy. People need homes not woods.
And what of beauty?
We must forfeit things, even beauty, for the common good.
How magnanimous! Grenville stands. It’s time for me to go.
I’m sorry I’ve offended you. Maybe I’ll see you tomorrow.
Maybe. 

Later, in her bedroom, Loreta wraps up in a duvet against the cold and studies the photograph of the dryad. Finally, exhausted, she sleeps. 

Waking, in darkness, the room’s lights no longer work. Wind howls in the trees. Astonished, she smells rich loam. She sees the dryad has vanished from the photograph. She scrolls back and forth; it’s gone. 
A haunting laugh from the darkness frightens her. 
Who’s there? 
The creature lurches forward, its huge skeletal wooden body creaking. It’s one staring eye terrifies her. 
What are you? she whimpers.
I am the wood, and the wood is me. 

In the bright light of a new day, Grenville pats the trunk of a silver birch. You’re safe now, Loreta: a thing of beauty, and no more stress, ever.

Days later, Loreta is reported missing. The police find no evidence that Loreta had ever been in Spalford.  

Delayed Gratification 

It’s Christmas Eve and George, aged eighteen, uses the master key he’s ‘borrowed’ from his aunt and uncle’s desk to open the rear security door of their cinema – The Tower. Sighing with relief as he locks the door behind him, he hopes that Lauren will keep the promise she’d made when she first appeared the previous year.

When George was six, on Christmas Eve, his parents, Florrie and Reggie, entered the cinema and were never seen again. A murder investigation ensued but the mystery was never solved. After they vanished, George lived with his aunt and uncle who were bitter that George was dumped on them. They ensured he became enraged that his parents had abandoned him. He was told they were fanatical film fans and would have given anything to be part of Hollywood. His aunt gave him an autographed photograph from Lauren Bacall, that said, “If you can make it to Hollywood, I’m sure I can get you jobs as extras, with love and best wishes, Lauren.” 

Who’s Lauren Bacall, he asked Aunt Agnes.
Film star and distant cousin of your father.
Do you think she could help me find them?
Agnes laughed until she cried.

George was seventeen when he first stole the keys and tried to contact Lauren Bacall by begging for help in front of the screen for hours. Finally, she appeared, and he told his story. Tonight, he’s desperate she’ll keep her promise. 

The screen lightens, but no flickering light shines from the projection booth. His mouth dries as ghostly shades of grey and black loop and swirl on the screen. His heart pounds. A human shape evolves in the centre of the screen. Franz Waxman’s overture for “To Have and Have Not” begins.

Lauren, you’ve come back.
Said I would, George. 
Why did you promise to help me last year?
I felt guilty; if I hadn’t offered help, they might not have scrammed. And you were so full of hope. 
Hope is all I’ve got.
Hope is an incredible, wonderfully demented thing. Hope endures even when life is not what you expect it to be. 

The screen stretches, bulges, seems about to tear apart as unseen forces push against the barrier. The fabric distends. The disembodied heads and hands of his parents burst through.
At last! George shouts as he climbs up on the stage beneath the screen.
We’re not allowed to come all the way through. If we do, we’ll be punished and never be amidst the stars again. Can you forgive us? Florrie pleads.
We missed you, George, Reggie says.
Liar!   
Come with us, Florrie says. You’ll love Hollywood.
George grabs his parents’ hands and, terrified, they scream, as their son, using more strength than he knew he had, rips them through the screen onto the stage. 

Happy Christmas, Lauren says. I kept my promise.
Thank you. 
George gasps as his parents transmute into unravelling spools of 35mm film that burst into flames. He stamps them out; his revenge complete.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Aviator

Manfred, known as Fred to his friends, hates shopping and supermarkets. Fred’s trolley is empty as a woman carrying an empty basket staggers towards him. Christ, you’re a cracker, he thinks. She wears a startling multi-coloured capacious check dress that looks as if it may fall off her at any moment. Her grey and white hair is a riot of unruliness like an electrocuted character in a comic. Her intelligent face beguiles him. 

She stops in front of him. Who you gawping at? she laughs. Before he can reply she continues, My husband says he wants a new woman, like a new carpet to walk on. I told him to fuck off, she shouts. 
Shoppers ‘tut’.
Fancy a coffee in the café? Fred asks.
You chatting me up?
Would you mind?
If he wants a new fucking woman, I can have a new fucking man.

Fred brings their coffees to a table for two.
I’m Fred, he says. Short for Manfred.
Manfred? You don’t look like no German.
My dad was obsessed by Manfred von Richthofen, a German fighter pilot in the first world war. He was the ace of aces, winning over eighty dog fights in the sky.
Pull the other one; dogs don’t fight in the sky.
It’s daft. What’s your name?
Amy. She was an aviator from HulI. I often has this flying dream. Can I tell it you?
Fred nods.
I’m a bird, alone in a cage, then I’m standing in a field of deep green ground ivy. I run. The going’s tough. My clawed feet keep catching in the ivy. I fall. I’m a bird, I shout. I should be flying not running. I can’t remember how to fly, but I know I can, cos I’m a bird. Under my dress, this dress, I’ve grown feathers. I run, frantically flapping my arms, my dress flapping, like one of them windsock things. My arms ain’t wings. I rest. I start again. I run, I stumble, trip; my dress blows up in the wind with me knickers all on show. I’m desperate to fly, Amy starts to weep. I want to fly before I die, she sobs. Can’t afford it.
Hold my hand, Fred says. It’s okay. Come with me, I have an idea.

It’s raining outside. Two male security guards, in hi-vis jackets, run across the car park shouting, Hoi! You can’t do that. We’ll call the police. Amy sits in a shopping trolley as Fred races around the car park. Amy screams, Wheeeee. The hi-vis jackets lose ground as Fred pushes Amy’s trolley out onto the exit road. Christ, one says, he’s bleeding fit for an old git. Off his trolley, the other laughs.

Amy shouts, I’m flying. 

As they reach the top of the hill Fred jumps in beside her. They rattle down the slope laughing, until the trolley hits a curb. They lie on a grass verge lost in hysterical laughter.
I think I’ve found me a new man, Amy says.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Meanwhile

The king is in his counting house counting out our money.

Meanwhile. 

A massive black dog, a Newfoundland, with a faded black inflated car inner-tube around his neck is on his way to the vet’s; he wails in terror as he’s dragged to his destiny. He senses that something bad is coming. His owners tell him that it won’t be as bad as he fears. Somehow, he can smell it on the wind, perhaps his suspicion is inbred, perhaps it’s instinct, but he knows his desecration awaits; he will no longer be a dog and he won’t even bark like a castrato. 

The king is in his counting house counting out our money.

Meanwhile. 

There’s a small boat, with many people crammed on board; too many to count. The boat wallows in the English Channel, near the French coast, waiting to leave for England. The passengers are all people of colour. Each asylum seeker has a faded black inflated car inner-tube around their neck. The boat looks unseaworthy. The men and women are silent; they sense that something bad is coming. A storm is forecast. The trafficker tells them that all will be well, and it will not be as bad as they fear. The people on the boat know the history of the long journey they have endured to reach this moment. If they survive the crossing and come ashore, they somehow know, perhaps through instinctive suspicion, or experience, that they will be abused and disappointed; the dead will be merely numbers, the survivors no longer people, but statistics. Of the asylum seekers only five are rescued; no one knows the number of those who drowned. The promise that inner tubes provide protection is a lie, as is the fantasy that England is a haven.

The king is in his counting house counting out our money.

Shakespeare has John of Gaunt refer to England as this “sceptred isle … This other Eden, demi-paradise”. Gaunt concludes, “That England, that was wont to conquer others, Hath made a shameful conquest of itself.” It’s a tragedy of self-destruction that England has brought upon itself; or many tragedies aggregated to destroy human rights. 

The king is in his counting house counting out our money.

Meanwhile. 

The river Wye is running with shit. Like many of England’s rivers, it’s overwhelmed by faeces, and the sea is no better. Citizens pay for access to water that comes from the sky. Perhaps private companies that have stolen, and ‘own’ the water, plan to do the same with the air and make people pay to breathe. This, of course, is ridiculous, but so is the privatisation of water. But England is a capitalist state; it can never be a green and pleasant land overwhelmed, as it is, with the stench of shit, profit, capitalism and greed. Capitalism converts everything into a commodity, including rain, but worse, people are wage slaves.

The king is in his counting house counting out our money.

Meanwhile, the world is burning.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

‘Redemption Song’

Billy Spider is his nickname because his entire head is tattooed with the image of a vast spider gorging a mouse. In 1980 Billy is eighty-four years old and only knows his date of birth, 1896, because it’s tattooed on his penis. After employment with Al Capone, he worked as a hitman for the highest bidder and saved most of his earnings living in obscurity in Baja California. Now, as an old man, he’s tired and remembers his birthplace and longs for South Wales.

It’s an epiphany moment. He asks for it to be played again, buys the single as a votive object and blags a copy of the lyrics. 

He’s smuggled ashore from a tramp steamer in Cardiff docks. It cost his savings, but he needs to be incognito: he’s still a wanted man. Wearing a Trilby hat and Max Factor Pan Stick foundation and concealer, to hide the spider, he walks up through Tiger Bay without incident. In the Castle Arcade he stops outside Castle Records captivated by music coming through the shop’s external audio speaker. Inside the shop, he’s told it’s Bob Marley and the Wailers’ ‘Redemption Song’; one line stands out: “None but ourselves can free our minds”.

Finally at his birthplace, he’s surprised to see the roof of the tiny stone cottage in LLangenith is intact. Wind whistles through broken windowpanes, bringing the smell of the sea from beyond the dunes. Inside the only room he shouts, I’m back, I’m fucking Bleddyn Morgan! That’s fuckin’ me! The locked doors of memory open. Not Billy Spider no more. No furniture remains, except an old spotted mirror on the mantelpiece amidst the dust and mouse droppings. He places ‘Redemption Song’ next to the mirror, and watches himself repeating, None but ourselves can free our minds. On the floor, he rests his head on his old Gladstone bag and falls deeply asleep, home at last.

Gentle early morning light fills the room. He opens the front door. He remembers the joy, the silence, of snowflakes gently falling on his outstretched hands. But he’s suddenly horrified: his past, long buried to save his sanity, rushes back. He remembers a morning just like this, with her small cold hand clasped in his. Bleddyn weeps. It was her father I killed. She was an innocent child, too young to be a reliable witness, but I killed her anyway. I ran, but I never escaped; even disguised with ink I was still trapped inside my head. 

Stripped naked, he runs out into the falling snow. Blue with cold, on he goes through the dunes to the deserted beach. He stops, gathers wet sand in his hands and frantically rubs his face and head attempting to erase his spider. Blinded by the sand, he forces his way out through the pounding waves, ever deeper into the ice-cold sea. His heart misses a beat and misses again. He sinks. Overwhelmed with cold he opens his mouth and gurgles, I’m free. His lungs fill. 

(‘Billy Spider’ first appeared in the story of the same name, posted on 07.02.2021)


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A Last Resort

The Leader stands on a wooden platform in Trafalgar Square. She raises her right arm in salute. The huge crowd roar their approval. All the paper and vellum originals and their copies of legislative documents relating to human rights in England, since time immemorial, are piled so high that the mound almost reaches Nelson’s feet on his column. Her voice booms through loudspeakers; the crowd chant her command; burn them. Pigeons flee their roosts. Mounted Hussars, in full dress uniform, carrying flaming torches move forward and simultaneously light the pyre. Tinder dry documents erupt into flames. Horses rear in terror. Smoke billows. The crowd cheers. Bright twisters of burning sparks are caught by the wind and escape into the night sky. Big Ben chimes. I had a dream, she shouts. Today is a great day for the pure English race. Today is a bad day for cultural Marxism and its lawyers, judges, meddlesome artists and do-gooders. Today is a good day for freedom from laws that hamper the rights of the English race. Free at last from perverse laws that protect homosexuals, transgenders, socialist pariahs and the invading hordes of aliens seeking asylum in their stinking sinking boats. Free at last! I say, Free at Last! Sink the boats! the crowd chant. Sink the boats! 

In her bedroom in the safe house, a gentle hand falls on her shoulder. Reluctantly she awakens from her dream. Who are you? What do you want?
It’s nearly time to go, Dallas.
Not going to Dallas, she says, struggling to wake from her euphoria.
Of course not, you’re going on a holiday, a resort, at the public’s expense.
What’s this Dallas thing?
The public don’t know Dallas is your nickname; your parents christened you after Sue Ellen from the TV series, Dallas.
It’s disrespectful. 
Respect must be earned.
What’s that supposed to mean?
You may be a bigot, but you’re not thick.
Who the hell are you?
Buchan, from MI5.
Who gave you the authority?
You did, by default. 
To do what?
When disaster looms and serious mistakes need to be fixed on the quiet, I’m called. 
Bloody hell! You’re that Buchan?
Yes. Look, here’s a surprise.
Enoch! Enoch Powell. You look awful with that shrink-wrapped skull. 
I may be long dead, but my ghost is full of virulent racism. 
I’m not a racist.
Nor was Hitler, Powell laughs.
I can’t be. My parents are of colour, Asian, and I’m a Buddhist.
You’ve done more to promote racism than I ever managed, Powell sighs. 
Your ‘Rivers of Blood’ speech was positively Shakespearean. 
Words are nothing. You’re deporting your own kind to Africa. Now, that’s inspired!
Time to get your flight, Dallas, Buchan smiles.
Where to?
Rwanda, Kigali. As you know the camp is out of town.
Not going there.
It’s your last resort, Buchan chuckles. Enoch is going with you on your hols.
Please, not with him, she wails. 
He’ll be your constant companion spewing bile.
I’ve been misunderstood, Dallas pleads.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.