The Bed

I’m eighty-two and I want a bed of my own. My last bed, our marital bed, was bought by the husband for our golden wedding anniversary.

I loved the husband but it was only after he died that I realised that the house was a kind of man cave; hardly surprising when we had three sons – four men in the house for years and years, and just one woman – me: invisible until needed.

Men smell different to us; it’s not necessarily offensive, except, of course, when they fart. When the four of them were at it they had a conspiracy of silence never admitting their stink; they just laughed at my objections. My father had the ‘Man Smell’ and his was a mixture of tweed suits, pipe smoke and bad breath. The husband, near the end, smelt like an old comfortable armchair covered in well worn moquette, plus the slight smell of shoe polish from his habitual brogues and we always laughed at his futile habit of chewing mints to disguise his whisky breath.

The décor, in the man cave, is as drab as a downpour in November. I tried to put a bit of colour into our lives; I gave the boys lovely bright colours in their bedrooms. As they got older they complained that their mates would think they were fairies. You’d think having anything pink within fifty feet was an indication of incipient homosexuality. Bloody rubbish, and I said so, but the husband wasn’t having jolly chintz when he could have brown. Even a footstooll upholstered in William Morris’ ‘Strawberry Thief’ gave him a fit of the Heebie Jeebies. 

It’s about ownership. Not just the owning of me as me, but the me that’s expressed through the house. It’s never been ‘my’ house; it’s always been ‘their’ house, or ‘our’ house, but never mine.

I never wanted him forever dead; though God forgive me, there were times when I did. But he is, and now I’ve ordered a double bed of my own; a single divan would make feel that I was in a home. The curtains are ugly but they’ll keep me warm. The red and dark green Axminster carpet will see me out as will the rest of it, especially the endless brown furniture so polished you can see your face in it. I can’t be bothered anymore; I’m too old; it can all stay as it is.

The husband was bigger than me and over the years he’d made a big body-shaped hollow in the old mattress. I’d forgotten that just after he died, I used to sleep in his hollow; it was the nearest I could get to the husband and it fitted me nicely. It was a comfort; he was there but not there. 

I’ve now had my new bed for a couple of weeks. But I can’t sleep; there’s no husband hollow to curl up in. I’m cold and lonely. I should have kept that mattress. 


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2022
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Mourning

George is a gamekeeper. His daily routine begins after an early breakfast with his inspection of the estate’s woodland. As ever, his old, increasingly frail, Border collie, Sam, accompanies him.

In a clearing near the main road, Sam barks as he hears a mewling sound from within nearby dense undergrowth. George holds up a finger and Sam is silent. They push their way past hawthorn and ash saplings. Good God, George gasps. A fallow deer, a doe, stands over the carcass of a stag. The doe, terrified, runs off. George studies the badly butchered body of the stag. Poachers, he says, buggers are at it again; no jobs, no money, no food on the table and hungry kids; It’s not right but nor is this. Flies swarm as maggots feast. Look at the poor beast; nothing deserves being cut up like that – no respect. Sam, stay. Keep strangers away.

It’s midday by the time George has dug a grave big enough for the stag’s body. He’s bloodied and tired by the time he’s buried the stag deep enough to prevent predators. As he rests on his spade Sam quietly growls. Turning, George sees the doe standing watching him. Hello, George says, I won’t harm you. The doe turns and disappears into the wood. She’s mourning, George says, adding, Don’t be daft, man, deer aren’t human.

The following night George is awakened by a haunting persistent high-pitched cry. He dresses and with Sam at his side sets off for the stag’s grave. Reaching it, they find the doe wailing like a banshee. George and Sam stand silently until the doe sees them. She doesn’t run for cover but continues to keen. She’s mourning, George says, I was right; I’ve never seen or heard the like of it.

On the following night George and Sam join the doe at the grave. On the way back to the cottage Sam stumbles and is unable to walk any further. George carries his dog slung across his shoulders. Back in the keeper’s cottage he lays Sam in front of the wood-burning stove and feeds Sam bread dipped in whisky – a remedy in which he has no faith; nevertheless Sam sleeps.

In the early morning light George sits on the floor by Sam stroking him, telling the dog that he’ll be okay, knowing full well that his dog is near death. He sits with him until the end.

It’s early evening when George gently lowers Sam into the grave. He looks up to see the doe standing just outside the garden fence. George smiles and says thanks. By the time George has completed the burial, he wants to say a prayer but the only words that come to him are, “Though lovers be lost, love shall not; and death shall have no dominion.” That night George visits the stag’s grave and stands with the doe. When George leaves for the cottage the doe comes with him. From then on deer and man are inseparable.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2022
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.