Bijoux

Some think that what happened in the fall of 2027 in Washington D.C. is fiction, others, wishful thinking.

Dot, an ostensibly rich and flamboyant widow of sixty-five, left London via Heathrow and entered the US through Dulles International airport on a false passport. On opening one of her suitcases American customs found it filled with large ornate decorative hats; she explained, an aristocratic lady of importance, must have many hats.

Later, Dot visited a dog farm and collected a corgi, named Bijoux. It had been trained to be friendly to strangers, obedient and content to be carried in a baby-stroller. 

President Trump had already announced the construction of an arch celebrating his creation of world peace. It was expected he would crown himself ‘Emperor of the Americas’ at the official opening of his ‘Maga Arch’. 

For the next several months Dot was a regular visitor to the Ellipse (the land near the White House) where the arch was under construction, guarded by ICE agents, who assessed her as presenting no threat to the arch. She formed a superficial friendship with agent ZX5, who recalled, Dot? Sure, I liked her: kinda crazy, looked whacky, every day a new hat, like something from the fresh fruit counter at Calomiris and Sons. The dog’s baby stroller flew a Stars and Stripes, and a MAGA flag.  Even her fucking dog had a MAGA coat. 
What sort of a dog?
Corgi. Said she’d been a lady-in-waiting to Queen Elizabeth; Bijoux was left to her as a thank you gift. 
What sort of a coat? 
Big. I asked her why it needed a coat when it’s in a stroller?
Said it was frail. Fat as a little pig. Frail? No fucking way.
Anything else about the coat.
It looked like it was stuffed.
Stuffed? With what?
Hell, I don’t know.
Wasn’t it examined?
Nope, not by me. She was just a lunatic in hats; harmless; never blasphemed.
Did you tell her what days the President visited the construction site.
For sure. She worshipped Trump, like he was a god. They cooed like turtle doves.
What did he think of her? 
I don’t know; I’m a nobody. Trump loved Bijoux, liked to lip kiss the ugly fucker.
What happened on that day?
Trump’s inspecting the arch when Dot rocks up. She pulls the corgi out of the stroller and shouts, Donald! Bijoux needs a hug! Carrying Bijoux, she runs to the President who’s waiting with outstretched arms. Dot trips. Boom! Fucking boom. All fucking blood and guts. Dot, Bijoux. – dead. President, clothes in shreds, hair on fire, gibbering with severe PTSD as his arch crumbled.
Was the bomb in her hat?
Nope, reckon it was Bijoux. 

This note was found in the baby-stroller:

In a democracy the people’s government must uphold the human rights of all notwithstanding: age, ethnicity, gender, sexual orientation and includes those seeking asylum and citizenship resulting in the right to life, liberty & the pursuit of happiness. 

These were not Trump’s values. 


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The Conductor

It’s a cold early morning in Roath Park. Malcolm stands, eyes closed, rhythmically swaying in time with his waving white gloved hands at the intersection of four gravel paths. 
A man stops to watch. Oi mate – orchestra done a runner?
Abruptly, eyes open, Malcolm replies. Just rehearsing.
What? Keeping warm.
No, Malcolm laughs. Just conducting Rossini’s ‘William Tell’ overture.
You pissed?
Sober as a beak. I hear them, well enough in me head. 
The man shakes his head as he walks off.

Later, in the empty Snug bar of the Royal Oak, Malcolm raps the bar counter and calls, Anyone home? 
The man who’d spoken to Malcolm enters. 
Hello, we met earlier. I’m Malcolm. You’re new here.
Yes, I’m Warren. New landlord.
Got any rabbits? Malcolm asks.
Just sausage rolls. What can I get you?

Warren puts a pint of ‘mixed’ on the bar. Can I ask you about earlier?
Yeah, sure.
Could you really hear the orchestra?
I always do.
What started you off conducting?
Luck. Played the sax in an army band; after I’d really listened to a piece of music I knew it by ear. I got a go at conducting rehearsals; loved it. Back here in Cardiff, as an old soldier, I blagged a job as a traffic controller for the council. Me pitch was mostly at the junction of four roads: Cardiff, Newport, Cathays and Western Avenue; accidents all the time. No traffic lights back then. I had a nice uniform, bit like a copper’s. I stood on a little raised black and white raised-up wooden box with a hinged door. I wore white gloves to conduct the traffic; I thought I were a real conductor like me namesake, Malcolm Sargent, on the telly; folks liked it; I got sort of famous. It was heaven.
Is it only Rossini you do? Warren asks.
Rossini when it’s quiet. Bizet’s ‘Carmen’ when it’s frantic. Memory is shot. Those overtures are all I can remember.
Why didn’t you go to the Welsh school of music?
Them days, they didn’t take riff raff.
Why keep practising?
In case there’s a power cut – joke; but you never know. Sentimental I am. I loved them years. I knew me regulars; waved like friends; did it for years until the council installed traffic lights. They offered us a job as one of the new traffic wardens. That didn’t work; me face was too well known. Some drivers liked me and some hated me guts for making ‘em wait. I was too embarrassed to give me friends tickets and too scared of the men’s threats to give ‘em parking tickets neither. Didn’t make me quota; got the sack. Broke me heart. Malcolm looks at his watch – Mr Lollipop Man can’t be late. He pulls on his white coat and picks up his ‘stop’ sign.
Surely, you’re, too old for that. 
Nar. I lied; last chance to conduct cars and the kids laugh at our antics. Mr Lollipop but not a dad to anyone.


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© Phil Cosker 2025
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any means, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Stink of Musk Ox

Morton isn’t certain if it’s dawn or twilight, nor certain of much else, except that he’s riding a stolen bike on an expedition he feels compelled to make. This is often the case; he’s mystified as to why that’s so. He speeds through vast deserted plazas between empty towering corporate concrete buildings where the wind whistles, no birds sing, and sunlight never falls; not ever a place that feels like home. 

Instinctively, he knows the location of the secret escape route into the Wildness but fears it will have been discovered, blocked, or observed by CCTV cameras; however, all is clear. He pulls hummocks of weeds to one side and, lying on his stomach, pushes his way through. In the darkness he concentrates, his eyes wide, straining to see the way ahead. 

The sky lightens. A fresh west wind blows away black clouds and the sun breaks through. Staring ahead, he sees the Wildness stretching as far as the eye can see, and further yet than that; he finds it beautiful. Continuing, he approaches a swathe of daffodils. Bending to the flowers he sniffs, hoping to discover their smell. His disappointment soon disappears at the sight of gravel glinting beneath crystal light.  Euphoric at the beauty of blades of viridescent grass decked with beads of dew, he thinks the Wildness is beauty itself. 

Emerging from behind a wall of dense blackthorn, he comes upon a vast circular arena populated by an untold number of noisy stocky white animals. He struggles to remember the illustration seen in a child’s dictionary. Sheep! he shouts. The sheep vanish. A solitary man waits. 
Morton, terrified, begs, What happened to the sheep?
Welcome, Morton, the man says. 
How do you know my name? 
Do you remember when you were six?
Only a bit. I had polio. I was paralysed, could hardly breath, and couldn’t walk until I was ten.
And here you are, still walking.
It was a miracle.
Yes, my miracle. Your parents begged me to implant an A1 chip in your brain, and here you are with me, your maker. You asked about the sheep: they only existed in your head. I put them there and I made them vanish.
Why?
To help you understand that since then, my AI has managed you. 
What’s AI?
A tool. I control your every action. You are my creature. You have no free will. 
If that’s true, why am I here?
To see if my experiment is complete. Come closer. Can you smell me?
Morton goes close. You stink of piss. It’s disgusting.
Success! Smell was the last sense I hadn’t mastered. 
Are you God?
As good as.
Set me free.
Agreed, shake on it.
Morton’s hand passes through thin air.
The man laughs, I’m not here.
The man disappears. The Wildness is gone. Spinning twisters swirl across an endless sea of sand beneath a blistering sun. 
Please, come back. I don’t want to die alone. Please.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2025
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Reflection

As Mick enters the dining room he finds his wife, Bianca, sobbing while staring out through the window.
What is it, love? He asks, hugging her.
I can’t look at it anymore.
What’s wrong with the garden? Mick asks.
I love everything about this house. I don’t want us to sell up and leave.
We agreed it’s for the best. We won’t exchange contracts until after Christmas; we’re not going yet? Is that why you’re crying?
Yes. No. Something’s happened. It’s not my reflection. It’s me then, not me, now. 
What are you talking about?
Look at the bloody mirror, Mick! 
Turning to look at the large ornate black and gold framed mirror hanging on the wall opposite the window, Mick gasps, Oh shit! I’m the same. It’s impossible. I’m holding the screwdriver I used to …
… yes, screw our beautiful mirror to the wall, Bianca concludes. 
Do you remember, Mick asks, how we found it almost hidden in that antique shop?
Of course. We’ve given it a home all these years. It’s been like I’ve always said: there are mirrors that are warm and gentle, and mirrors that are cold and jagged. Ours is the best of the best, almost like an old friend, but taken for granted.
Are you suggesting it’s alive? Mick asks. Sentient?
I don’t know. What I do know is that, somehow, it’s trying to tell us something.
It’s some sort of trick to pretend our house is haunted so we’ll drop the price.
How could anyone do that? 
Both of us can’t be imagining the same thing.
It’s real, Mick. Real.

It’s evening as Bianca and Mick anxiously enter the dining room, to see if the mirror is back to ‘normal’. They gasp. They both nurse babies. Those are our babies! Bloody hell! 
The scene changes: first babies, then toddlers, teens and finally smiling adults holding their own children. Unbelievable, Mick says, forty years in thirty seconds.
The image changes. Look, Bianca says, Wonderful, all our friends. Even though everyone’s laughing, they’re stuck in a freeze frame and there’s no sound.
Silent friends, Mick laughs. When were they ever quiet? Those are our streamers, and our lighted candles on the mantelpiece. The wooden beams are just like you always do them, wrapped in holly, ivy and mistletoe. 
The dogs are asleep on the hearth in front of a wood fire. Bianca laughs. And just look at our table: food, fruit, wines, cheese, crackers, a pudding, and sparkling glasses. The mirror has memory; it holds the memories that we’ve forgotten.
It’s all our Christmases that have ever been in this room all rolled into one, Mick says. He looks at Bianca, Do you agree? She nods. They kiss. On the count of three.
We’re staying put for good and all, the couple announce.
The scene bursts into life. The cheers are deafening. 

In the mirror Bianca and Mick see themselves just as they are. 
Thank you, mirror. Happy Christmas.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Bed

Ray lies on a hospital bed in a corridor next to the entrance of A&E; each time the door opens he endures a blast of freezing air. It’s four o’clock in the morning and he’s yet to see a doctor. He feels sorry for himself; it’s no place to be with Christmas and Covid in the air. As he climbs out of bed, to go to the toilet, the bed issues a melodic sequence of multiple squeaks. Ray laughs as he inspects the bed, sees how old and battered it is and sings, Any old iron? Any, any old iron? 

A passing nurse calls, You should be asleep after that sedative we gave you.
Instead, Ray explores.
Another corridor is empty except for a boy sitting bolt upright in bed, wide awake, sobbing and pleading, Daddy! I want to go home.
Ray asks, Shall I call you a nurse?
Daddy, you came at last, the boy whimpers. 
Sorry, son, I’m not your daddy.
The boy screams, Daddy! Daddy!
The same nurse comes running. I told you, get back to bed before you pass out!

Reluctantly, Ray does as he’s been told. As soon as his head hits the pillow he falls into a deep sleep and dreams.

In an enormous sports hall, innumerable blue hospital privacy screens on wheels, are in constant movement like the sails of myriad sailing boats caught in a raging storm. Ray finds the sound of screens and beds ricocheting one against another, the screeching of wheels, the constant noise of ventilators, shouted conversations, sobbing, cries of distress and even shouts of man overboard, frightening. He goes on. Boris Johnson and Matt Hancock play badminton with a shuttlecock dripping blood. Ray wonders why there are no stains on Johnson’s and Hancock’s clothes while spectating female and male patients lying on hospital beds are drenched in blood. Alarms ring.
An elderly male voice interrupts his nightmare, asking, Were you taking the piss singing, Any old iron?
Who said that? Ray asks.
I did. 
Who?
Your bed. Can I sing along? You look dapper from your napper to your feet, the bed sings.
Bloody hell, beds don’t talk, let alone, sing.
You’d be surprised. When there’s too many sick folks, they dig me out of the store and here I am, an emergency bed. In 1948, when the NHS was founded, it took over ownership of 480,000 beds: I’m one of those beds. We used to sing lullabies to get the bairns to sleep. It was another of Aneurin Bevan’s miracles. Do you know how many NHS beds there are now?
No.
In March 2024, 141,903.
Jesus, I need cheering up.
Let’s sing a carol.

Hello, Raymond, I’m your doctor, Sandra, time to wake up. You’ve been dreaming and singing Good King Wenceslas; it was odd, it sounded like a duet. Anyway, we’ll find you a nice new bed to make you comfortable.
Sorry, but this is the best bed I’ve ever had.
Thanks Ray, the bed whispers. 


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Loft

The pigeon loft that Maud, a devoted pigeoneer, constructed over many years is beautiful and luxurious – nothing being too good for her beloved carrier pigeons. The double occupancy bird boxes are impeccable and not much smaller than the rooms in a show-house on a Taylor-Wimpey estate. 

As she moved through childhood, puberty and adult life, she found increasing difficulty in forming lasting relationships with either sex; her pigeons always came back and were incapable of deceit. Now, in her eighties and frail, Maud lives alone; her spirit not dulled by ill-health.

Entering the loft, a wave of sadness overtakes her; once there had been forty birds; now, one bird remains: old, handsome and housed in a single occupancy box of some grandeur. The bird coos as Maud approaches, puts her hand inside the box, strokes the pigeon, and sits on a nearby stool gasping for breath, cursing the pain in her chest.

Do you ever wonder why I named you Caractacus? she asks.
The bird coos. 
It’s daft. Caractacus was a first century British warrior chieftain who fought the Romans. When I first got you, I was impressed. I was right, you kept the loft in order, often with a sharp peck of rebuke. Romantic old fool, aren’t I? 
The bird coos.
I need to talk to you, get something off my chest. I have no one else.
The bird coos, and struggles onto her lap.
I’m a mess. Old. I get things wrong on my computer; I hate the bloody thing. Anyway, I have a dicky heart that constantly gives me grief. Maud waits until the pain subsides. My GP refers me to a hospital. Turns out there are two hospitals in the same trust, each with a cardiology department. I receive a letter from one hospital giving me an appointment, followed by an email from the second hospital telling me that this appointment is a mistake. I don’t go to the appointment. Next, I get a letter from the first hospital telling me I have a new appointment and warns me that if I don’t attend, I will be denied treatment. I’m frightened. 

Maud weeps, carefully holding the bird. The pigeon coos.

Struggling for breath and with her pain soaring, Maud haltingly, continues. Two days later there’s an email: I don’t have an appointment. I telephone both hospitals and ask what’s going on. No one knows. I lose my temper. I’m accused of abusing staff and censured. Two weeks later another letter arrives from the first hospital offering me a further appointment and it’s my very last chance. Nothing else arrives. I give up. I don’t go to the appointment. I’m too ill. A final letter arrives – I’m wasting their time and will be denied care. Too late now, bureaucracy, she gasps.

Maud and the pigeon fall from the stool. 
I love you, old friend, she whispers.
The bird is silent; too infirm to fly. 

No one comes. The loft falls into ruin.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.


The Gambler

A man is beachcombing with his dog on the northern shoreline of the tidal estuary near the derelict windmill. The dog growls and barks. The man shouts in horror, Drop it! In its mouth it holds a fully fleshed severed human head by the ear.

It’s night. Conrad, in his car, struggles to find his way through the chaotic network of narrow tracks on the southern shore of the estuary. Finally, his headlights pick out a fingerpost indicating, ‘The Causeway’. He sets off on foot, shivering in the cold damp air, searching for the seldom seen Roman causeway. Legend has it that it leads from one side of the estuary to the other at the time of an exceptionally low Spring tide; the water recedes, revealing the causeway, stretching across the vast expanse of mud. No living person is known to have made the crossing. 

Conrad worries about the wisdom of his bet; but the bookie offering to clear all his huge gambling debts for this one-off wager was too good to miss. The bragging rights of success would be invaluable in restoring his self-respect and reputation.

After fighting his way through reed beds, he arrives at the wooden pier where the path to the causeway supposedly starts. Clouds part and a bright moon shines. It doesn’t take him long to discover that the pier is a rotten death trap. 

Jesus! Conrad shouts. Who the fuck are you? he demands as a small boy takes his hand. Can you talk?
The boy shakes his head, gesticulating that he cannot speak.
You look like you were born old, Conrad thinks. Have you come to guide me? 
The boy nods.

After a short walk the boy points at the long causeway, leading out across the mud. Conrad, elated, sees a construction made of thousands of sets in serried rows. They should be stone, but somehow, they’re not. More like metal, he thinks. What does it remind me of? Can’t be, he concludes. Looking down he sees the boy grinning at him. You know what I’m thinking, don’t you? The boy nods.

Did this just move? Conrad wonders, standing on the causeway. Alarmed, he kneels and touches the surface on which he stands. Not stone. Not metal. A distant heartbeat! Animal scales. Shit! he gasps. He turns to retrace his steps but hesitates; he thinks of being debt free at last. The boy grabs his hand and pulls him on. It must be safe otherwise the child wouldn’t be here, Conrad reasons. 

As they reach the northern shore he sees the derelict windmill. He looks down: the boy has gone. Conrad leaps onto the shingle and shouts, Done it! Free!

He turns. It’s a fucking crocodile! Conrad freezes, hypnotised, as he stares into the monster’s unblinking eyes. Suddenly, the creature lunges forward, engulfing Conrad in its enormous mouth; his screams are drowned out as the crocodile eats him alive. Sated, the animal opens its mouth wide, belches, and spits out Conrad’s severed head.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

What the Duck

Your usual? Antonio asks.
Double espresso, per favore. Not many in today; it’s the weather. One day it’s pissing down, the next day you could fry an egg on the pavement, not that you would do that outside here: not with all the dog shit and cigarette ends. It’s going to get worse. 
The dog shit?
No, the climate.
Thanks for that, Nigel. Ever the optimist.
Do you know why they say the weather’s changed? Changes in the climate are natural; the ice age wasn’t caused by factories belching out crap because they didn’t exist back then. It was just natural. You’re wondering why anybody would tell lies about the climate. I’ll tell you. It’s to create fear; it’s a communist plot, an attack on the free world, on liberty. Making money, profit, will be a crime. Climate change is fake, made by bad men.
Is this going to be another rant? Antonio sighs.
No, I’m just explaining how we’ll survive.
If climate change is fake what’s the problem about survival?
Make capitalism strong again and survive extinction.
How? This doesn’t make sense.
Nigel looks left and right and whispers, It’s secret.
My café’s empty.
Walls have ears.
Go on, Antonio groans.
He said it was a secret.
Who?
He came to me in a dream.
Who?
Donald, Nigel replies.
Donald Duck?
Donald Trump.
A cartoon fucking duck! Antonio laughs. 
What’s that supposed to mean? Nigel asks.
Well, they’re both quackers.
You’ll be sorry when he’s President again. He’s going to take revenge on his enemies, abolish one person one vote, execute traitors, change the US constitution and crown himself Emperor. It’ll mean a new civil war but with Zuckerberg’s control over digital communication, and the active support of Google’s data, along with Dyson’s renewable energy in Musk’s and Bezos’ spaceships he’ll win by using the existing means of intellectual production.
What’s intellectual production? Antonio asks.
It’s all the lying crap pretending to be true, like news on TV, films, radio, newspapers, magazines, books, the curriculum in schools and universities, and all religious fantasies. Trump’s ideological beliefs are so compelling that America will vote Trump and all his enemies will be Trumped, Nigel howls with laughter.
And the duck told you all this in a dream? Why you?
I told him I was King Charles’ illegitimate son.
The fuckwit duck believed you?
He’s not an expert on the English monarchy. I‘m his English standard bearer. 
On a white charger like some latter-day Lone Ranger? Never. This isn’t America, England’s a parliamentary democracy.
Parliamentary democracy is the scam the ruling class use as a barricade behind which their power remains undiminished. Nothing will ever change, until they’re destroyed, and a new world order is put in place. Citizens, free at last, under Emperor Trump, who’ll make America great again and I’ll make England the same.
It’s madness. 
You wait and see. Don’t forget, you’re an immigrant; we’ll be sending you home.
E’ pericoloso minacciare la mafia! Antonio laughs.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Taking the Biscuit

Jaci Jones enters the kitchen in her working clothes: a full-length deep green velvet dress topped off with a matching turban over a long black wig. 
Finally got a client, Mum?
Yes, it’s only my regulars who come for a reading since that bastard Jimmy Rydal‘s crew destroyed my booth on the prom because he didn’t like my predictions; they even killed the goldfish. It scared me. 
Why do you keep doing it?
It keeps the wolf from the door and supplies you with biscuits.
I only keep a bit of my dole money for the biscuits; you get the rest.
You’ll look like a stick insect. Everyone knows biscuits dry your blood.
Wouldn’t there be a danger warning on the packet, like on fags?
Biscuit companies would go bust if people knew the truth.
Did you know your fortune telling booth was going to be destroyed?
No, I can’t tell my own future. The police said I was a fraud and taking money under false pretences. They never said that to Mystic bloody Meg on the telly, did they? Stop eating those biscuits. You’ll turn into a biscuit one day.
Just like you predicted Thatcher would never be prime minister. 
You can’t predict the behaviour of witches, Jaci laughs.
The front doorbell rings.
That’ll be Mrs Evans come for a reading. Have you fed the new goldfish?
Yes, I fed the poor little sod. Do the Mrs Evans of your world really believe that staring at a fish swimming round and round a glass bowl will let you see their future? Jaci slams the door behind her. I bet I was also a surprise, John thinks. 

An hour later Jaci enters the empty kitchen. Standing at the foot of the stairs, she shouts, John, you up there? Silence. 
Next morning, exhausted from worry and no sleep, she reports John as a missing person to the police. She’s fobbed off with the usual homilies that it’s too early to be talking about a ‘misper’.

A year later, the doorbell rings. 
Have you found him at last? Jaci asks the female constable. 
Best if we sit down, Mrs Jones.
In the kitchen the WPC hands Jaci a photograph. Is this your son? 
Jaci bursts into tears.
He hadn’t paid his rent and not been seen for weeks. He was found in a caravan in Brean Down.
Through her sobs Jaci says, We went there when he was a nipper before his father did a runner. How did he die?
The pathologist is mystified; not drop of blood in his body and dry as parchment. 
Like a stick insect, Jaci sobbed. 
The van was stacked with hundreds of empty ginger biscuit packets. You look terrible. Shall I make us a cuppa?
The WPC sets mugs on the table and says, I’m starved. I’m sorry do you have a biscuit?


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Dove

A white dove shakes with fear; in six months the ancient olive grove has changed. No longer a place of tranquillity, providing shade from the burning sun for the flock of sheep and their Palestinian shepherd. Now, there is no shepherd, the sheep lie amidst the gnarled trunks of the cremated trees. The trees are dead. The sheep are dead.

What’s happened? The bird wonders, as it stares at the dense swarms of flies exploring the carcasses. Startled by a sudden noise, the dove flaps its wings to escape the surrounding horror. 
A viper slides across the razed grasses. Don’t go, it hisses. Are you a peace dove?
I am.
What do you want? the snake asks.
An olive branch.
You’ll need more than that with Netanyahu.
Did Netanyahu kill the sheep and burn the trees?
No, settlers did this.
Why?
To steal the land from the Palestinian farmers; Netanyahu likes that.
Surely killing the sheep and destroying the olive grove is stupid?
They are stupid. Sometimes it seems as if it’s more important to own barren land rather than allowing the Palestinians to keep what’s theirs.
How do you know? You’re just a snake, the dove says. 
I’m not just a snake. I’m a Palestinian viper! The Israeli government made me and my kind, the official snake of Israel, naming us the Palestinian viper to show their deep hatred of Palestinians. 
I don’t understand.
The snake hisses. Vipers are deadly poisonous. Palestinians are deadly poisonous. So? 
The dove nods, Palestinians and vipers are both poisonous and would be better dead. 
Got it in one. 
Have you been to the war? the Dove asks.
No. Too far for me. Anyway, I’d get killed and made into shoes.
I must see what’s being done.
Please come back and tell me.

The Dove hides amidst the rubble that was a home in the city of Rafah in Gaza. 

An old woman, entirely dressed in black, nurses a dead child as she sits amidst the domestic detritus created by the bombs. She weeps as she talks to the emaciated corpse in her lap. 

The Dove moves nearer to hear what she’s saying. 
Oh, my daughter’s daughter. Netanyahu and his kind are racists; we’re subhuman, and beneath contempt. At least you’ve escaped their racism. I was a teacher. I taught history. I told my students about Guernica in Spain in 1937 where Franco and his fascists murdered the innocents. I showed them Picasso’s painting. In 2024 Netanyahu and his army have murdered thousands, including using snipers to kill our children; no children means no future. 

The whine of a falling bomb is followed by a vast explosion near where they sit. 

Who will remember Gaza? Who will be our Picasso and paint our Shoah? Who will scream genocide? the woman shouts. 

Another bomb explodes. A blast of concrete shrapnel and glass lacerates the head and shoulders of the woman who falls dead.

The viper waits in vain for the dove to return.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.