The Bed

Ray lies on a hospital bed in a corridor next to the entrance of A&E; each time the door opens he endures a blast of freezing air. It’s four o’clock in the morning and he’s yet to see a doctor. He feels sorry for himself; it’s no place to be with Christmas and Covid in the air. As he climbs out of bed, to go to the toilet, the bed issues a melodic sequence of multiple squeaks. Ray laughs as he inspects the bed, sees how old and battered it is and sings, Any old iron? Any, any old iron? 

A passing nurse calls, You should be asleep after that sedative we gave you.
Instead, Ray explores.
Another corridor is empty except for a boy sitting bolt upright in bed, wide awake, sobbing and pleading, Daddy! I want to go home.
Ray asks, Shall I call you a nurse?
Daddy, you came at last, the boy whimpers. 
Sorry, son, I’m not your daddy.
The boy screams, Daddy! Daddy!
The same nurse comes running. I told you, get back to bed before you pass out!

Reluctantly, Ray does as he’s been told. As soon as his head hits the pillow he falls into a deep sleep and dreams.

In an enormous sports hall, innumerable blue hospital privacy screens on wheels, are in constant movement like the sails of myriad sailing boats caught in a raging storm. Ray finds the sound of screens and beds ricocheting one against another, the screeching of wheels, the constant noise of ventilators, shouted conversations, sobbing, cries of distress and even shouts of man overboard, frightening. He goes on. Boris Johnson and Matt Hancock play badminton with a shuttlecock dripping blood. Ray wonders why there are no stains on Johnson’s and Hancock’s clothes while spectating female and male patients lying on hospital beds are drenched in blood. Alarms ring.
An elderly male voice interrupts his nightmare, asking, Were you taking the piss singing, Any old iron?
Who said that? Ray asks.
I did. 
Who?
Your bed. Can I sing along? You look dapper from your napper to your feet, the bed sings.
Bloody hell, beds don’t talk, let alone, sing.
You’d be surprised. When there’s too many sick folks, they dig me out of the store and here I am, an emergency bed. In 1948, when the NHS was founded, it took over ownership of 480,000 beds: I’m one of those beds. We used to sing lullabies to get the bairns to sleep. It was another of Aneurin Bevan’s miracles. Do you know how many NHS beds there are now?
No.
In March 2024, 141,903.
Jesus, I need cheering up.
Let’s sing a carol.

Hello, Raymond, I’m your doctor, Sandra, time to wake up. You’ve been dreaming and singing Good King Wenceslas; it was odd, it sounded like a duet. Anyway, we’ll find you a nice new bed to make you comfortable.
Sorry, but this is the best bed I’ve ever had.
Thanks Ray, the bed whispers. 


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Constance and Virgil

Is that our coach? Constance asks. It’s all yellow and green just like the …
… one we went to Bognor in for our honeymoon, Virgil finishes.
Wonderful! Where did you find it?
Well, if anything, it found me.
Oh, an adventure, how lovely! Constance says. It’s not one of your make-believes, is it?
Look at him.
The coach driver, dressed in a smart navy-blue suit, doffs his shiny peaked cap, revealing an impressive head of coiffured black Brylcreamed hair. Welcome to the famous Nostalgia Tours, a company limited by time, he says. Your seats are at the front. 

Seated on board, Constance observes, seems we’re the only passengers. Bit odd, isn’t it?
A result of Covid, perhaps? After all, it did for us. 
Is it an expensive trip? Constance asks as the coach pulls away.
I thought it reasonable.

Constance opens her eyes, Gosh, that was quick. Are we there yet?
That brings back memories. You were asleep.

The bus halts. Constance and Virgil stand in a broad village street of old stone houses.
Where did our coach go? Constance asks. How will we get back?
Maybe we won’t, Virgil says, kissing his wife on the cheek. Let’s look at our old house.
As they walk, arm in arm, an unexpected shower falls. Is it snowing? She asks.
It’s dust, Virgil sneezes. Here we are. Once, where we belong, to mis-quote Jo Cocker.
Passing through the wooden farm-style gate they enter a garden. 
The falling dust becomes a haze. Taking a deep breath, Virgil blows it away.
There it is! Our garden. Constance cries out in delight.
Birdsong fills the air. Collared doves, as ever, cry, it’s awful. 
Bloody doves. It’s beautiful. But why is there a soundtrack? It’s like an ad for Cartland’s romantic slush. Across the front of the sunlit stone house a multitude of white roses bloom.How can that be? she asks. It’s the wrong time of year.
Virgil looks at his watch. It’s stopped. Oh dear, oh dear, like the rabbit, we can’t be late for our important date.

Constance and Virgil stand in the churchyard of St Aidan’s. No mourners are at the side of an open grave where the celebrant delivers the blessing.
If that’s our grave, where are our children? Constance asks.  
No one allowed. So sad. 
Bloody Covid! I’ve tried to forget all that suffering.
We were lucky to go together.
Look! That’s our coach driver. Constance laughs. He’s bald as a coot. That teddy-boy look was a wig. And now he’s a vicar. Her tone changes. Hang on, they’re lowering in our coffins and I’m going in first. I’m not having that!
Why ever not?
I always preferred being on top.
That’s just our mortal bodies. 
I would still like to be on top.
Shall we find a hayrick? Virgil asks.
Do you think we could?
Only one way to find out.
You always were a randy sod, Constance laughs.

The vicar waves his wig and blows a kiss.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

In The Dark

Wednesday 7th September 2022
Prime Minister’s questions 
The House of Commons UK, the Palace of Westminster, London

Sylvia is almost certain that she’s waited long enough in the void between the floor above and the suspended ceiling below her. She carefully slides a ceiling panel open and peeps out into the dim light to ensure the corridor is empty before silently lowering herself to the vinyl clad floor. Standing on an adjacent plastic chair she slides the panel back into place – just in case. She stands very still, her breathing quiet, listening intently for warning signals that might cause unnecessary irritation.

She smooths her green scrubs, drapes a stethoscope around her neck (over her identity lanyard) and adjusts the bright yellow badge, displaying her name, Dr Sylvia Kraujas. Donning a face mask she casually sets forth wearing a pair of cherry red ‘Doc Martins’ boots. She smiles, knowing that her bubble glass spectacles make her look like a myopic goldfish. 

In the enormous empty outpatients’ waiting room she stops. High-pitched squeaking, and out of tune whistling, echo from one of the four corridors leading into the cavernous space. She waits. A porter pushes an ancient hospital bed into the room. 

That could do with some oil, Sylvia says as the whistling porter approaches.
Yeah, the wheels and me both, Doc, he replies.
I was thinking of your whistle, she laughs.
Bloody doctors, he mutters as he continues on his way.

Sylvia has memorised the hospital plan she’d been given by an ex-nurse who’d fallen under her thrall and had, frustratingly, died from exsanguination after a night of Sylvia’s gluttony.

Arriving at her destination, she stares in disbelief at the badly handwritten sign ‘Blood Getting Room’ slightly obscuring the word Phlebotomy. The grammar is appalling but her real incredulity is the naivety of the nurses and their managers: have these people no respect for the dangers to their patients’ safety – had they not seen the red-tops who’d been running the story for weeks?

She shrugs and opens the door. Entering in the dark, for a moment she’s overwhelmed with delight at the lingering aroma of blood. She pauses on the threshold. There’s something wrong. Yep, it’s male human sweat. A male voice bellows, ‘Gotcha!’ Sudden bright light bursts from the room. Sylvia flees as confused police officers stumble over each other in pursuit. Not yet! she shouts. Bursting through the emergency exit she jumps onto the passenger seat of the motorcycle that awaits her before it roars away into the night.

The Daily Mail’s front-page headline reads – ‘Dr Blood escapes! The Met fails yet AGAIN!’

On an inside page, The Guardian teases, ‘Is the recent escape of this dangerous woman, known as Dr Blood, a rare example of the Tory government actually preventing ever more blood haemorrhaging from our NHS?’

Prime Minister Truss denies that the Tory government, under her leadership, has ever allowed money to be cut from the NHS.

Sir Lindsay Hoyle (The Speaker) can’t stem the laughter.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Loft

The pigeon loft that Maud, a devoted pigeoneer, constructed over many years is beautiful and luxurious – nothing being too good for her beloved carrier pigeons. The double occupancy bird boxes are impeccable and not much smaller than the rooms in a show-house on a Taylor-Wimpey estate. 

As she moved through childhood, puberty and adult life, she found increasing difficulty in forming lasting relationships with either sex; her pigeons always came back and were incapable of deceit. Now, in her eighties and frail, Maud lives alone; her spirit not dulled by ill-health.

Entering the loft, a wave of sadness overtakes her; once there had been forty birds; now, one bird remains: old, handsome and housed in a single occupancy box of some grandeur. The bird coos as Maud approaches, puts her hand inside the box, strokes the pigeon, and sits on a nearby stool gasping for breath, cursing the pain in her chest.

Do you ever wonder why I named you Caractacus? she asks.
The bird coos. 
It’s daft. Caractacus was a first century British warrior chieftain who fought the Romans. When I first got you, I was impressed. I was right, you kept the loft in order, often with a sharp peck of rebuke. Romantic old fool, aren’t I? 
The bird coos.
I need to talk to you, get something off my chest. I have no one else.
The bird coos, and struggles onto her lap.
I’m a mess. Old. I get things wrong on my computer; I hate the bloody thing. Anyway, I have a dicky heart that constantly gives me grief. Maud waits until the pain subsides. My GP refers me to a hospital. Turns out there are two hospitals in the same trust, each with a cardiology department. I receive a letter from one hospital giving me an appointment, followed by an email from the second hospital telling me that this appointment is a mistake. I don’t go to the appointment. Next, I get a letter from the first hospital telling me I have a new appointment and warns me that if I don’t attend, I will be denied treatment. I’m frightened. 

Maud weeps, carefully holding the bird. The pigeon coos.

Struggling for breath and with her pain soaring, Maud haltingly, continues. Two days later there’s an email: I don’t have an appointment. I telephone both hospitals and ask what’s going on. No one knows. I lose my temper. I’m accused of abusing staff and censured. Two weeks later another letter arrives from the first hospital offering me a further appointment and it’s my very last chance. Nothing else arrives. I give up. I don’t go to the appointment. I’m too ill. A final letter arrives – I’m wasting their time and will be denied care. Too late now, bureaucracy, she gasps.

Maud and the pigeon fall from the stool. 
I love you, old friend, she whispers.
The bird is silent; too infirm to fly. 

No one comes. The loft falls into ruin.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More
© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.


The Gambler

A man is beachcombing with his dog on the northern shoreline of the tidal estuary near the derelict windmill. The dog growls and barks. The man shouts in horror, Drop it! In its mouth it holds a fully fleshed severed human head by the ear.

It’s night. Conrad, in his car, struggles to find his way through the chaotic network of narrow tracks on the southern shore of the estuary. Finally, his headlights pick out a fingerpost indicating, ‘The Causeway’. He sets off on foot, shivering in the cold damp air, searching for the seldom seen Roman causeway. Legend has it that it leads from one side of the estuary to the other at the time of an exceptionally low Spring tide; the water recedes, revealing the causeway, stretching across the vast expanse of mud. No living person is known to have made the crossing. 

Conrad worries about the wisdom of his bet; but the bookie offering to clear all his huge gambling debts for this one-off wager was too good to miss. The bragging rights of success would be invaluable in restoring his self-respect and reputation.

After fighting his way through reed beds, he arrives at the wooden pier where the path to the causeway supposedly starts. Clouds part and a bright moon shines. It doesn’t take him long to discover that the pier is a rotten death trap. 

Jesus! Conrad shouts. Who the fuck are you? he demands as a small boy takes his hand. Can you talk?
The boy shakes his head, gesticulating that he cannot speak.
You look like you were born old, Conrad thinks. Have you come to guide me? 
The boy nods.

After a short walk the boy points at the long causeway, leading out across the mud. Conrad, elated, sees a construction made of thousands of sets in serried rows. They should be stone, but somehow, they’re not. More like metal, he thinks. What does it remind me of? Can’t be, he concludes. Looking down he sees the boy grinning at him. You know what I’m thinking, don’t you? The boy nods.

Did this just move? Conrad wonders, standing on the causeway. Alarmed, he kneels and touches the surface on which he stands. Not stone. Not metal. A distant heartbeat! Animal scales. Shit! he gasps. He turns to retrace his steps but hesitates; he thinks of being debt free at last. The boy grabs his hand and pulls him on. It must be safe otherwise the child wouldn’t be here, Conrad reasons. 

As they reach the northern shore he sees the derelict windmill. He looks down: the boy has gone. Conrad leaps onto the shingle and shouts, Done it! Free!

He turns. It’s a fucking crocodile! Conrad freezes, hypnotised, as he stares into the monster’s unblinking eyes. Suddenly, the creature lunges forward, engulfing Conrad in its enormous mouth; his screams are drowned out as the crocodile eats him alive. Sated, the animal opens its mouth wide, belches, and spits out Conrad’s severed head.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

What the Duck

Your usual? Antonio asks.
Double espresso, per favore. Not many in today; it’s the weather. One day it’s pissing down, the next day you could fry an egg on the pavement, not that you would do that outside here: not with all the dog shit and cigarette ends. It’s going to get worse. 
The dog shit?
No, the climate.
Thanks for that, Nigel. Ever the optimist.
Do you know why they say the weather’s changed? Changes in the climate are natural; the ice age wasn’t caused by factories belching out crap because they didn’t exist back then. It was just natural. You’re wondering why anybody would tell lies about the climate. I’ll tell you. It’s to create fear; it’s a communist plot, an attack on the free world, on liberty. Making money, profit, will be a crime. Climate change is fake, made by bad men.
Is this going to be another rant? Antonio sighs.
No, I’m just explaining how we’ll survive.
If climate change is fake what’s the problem about survival?
Make capitalism strong again and survive extinction.
How? This doesn’t make sense.
Nigel looks left and right and whispers, It’s secret.
My café’s empty.
Walls have ears.
Go on, Antonio groans.
He said it was a secret.
Who?
He came to me in a dream.
Who?
Donald, Nigel replies.
Donald Duck?
Donald Trump.
A cartoon fucking duck! Antonio laughs. 
What’s that supposed to mean? Nigel asks.
Well, they’re both quackers.
You’ll be sorry when he’s President again. He’s going to take revenge on his enemies, abolish one person one vote, execute traitors, change the US constitution and crown himself Emperor. It’ll mean a new civil war but with Zuckerberg’s control over digital communication, and the active support of Google’s data, along with Dyson’s renewable energy in Musk’s and Bezos’ spaceships he’ll win by using the existing means of intellectual production.
What’s intellectual production? Antonio asks.
It’s all the lying crap pretending to be true, like news on TV, films, radio, newspapers, magazines, books, the curriculum in schools and universities, and all religious fantasies. Trump’s ideological beliefs are so compelling that America will vote Trump and all his enemies will be Trumped, Nigel howls with laughter.
And the duck told you all this in a dream? Why you?
I told him I was King Charles’ illegitimate son.
The fuckwit duck believed you?
He’s not an expert on the English monarchy. I‘m his English standard bearer. 
On a white charger like some latter-day Lone Ranger? Never. This isn’t America, England’s a parliamentary democracy.
Parliamentary democracy is the scam the ruling class use as a barricade behind which their power remains undiminished. Nothing will ever change, until they’re destroyed, and a new world order is put in place. Citizens, free at last, under Emperor Trump, who’ll make America great again and I’ll make England the same.
It’s madness. 
You wait and see. Don’t forget, you’re an immigrant; we’ll be sending you home.
E’ pericoloso minacciare la mafia! Antonio laughs.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Taking the Biscuit

Jaci Jones enters the kitchen in her working clothes: a full-length deep green velvet dress topped off with a matching turban over a long black wig. 
Finally got a client, Mum?
Yes, it’s only my regulars who come for a reading since that bastard Jimmy Rydal‘s crew destroyed my booth on the prom because he didn’t like my predictions; they even killed the goldfish. It scared me. 
Why do you keep doing it?
It keeps the wolf from the door and supplies you with biscuits.
I only keep a bit of my dole money for the biscuits; you get the rest.
You’ll look like a stick insect. Everyone knows biscuits dry your blood.
Wouldn’t there be a danger warning on the packet, like on fags?
Biscuit companies would go bust if people knew the truth.
Did you know your fortune telling booth was going to be destroyed?
No, I can’t tell my own future. The police said I was a fraud and taking money under false pretences. They never said that to Mystic bloody Meg on the telly, did they? Stop eating those biscuits. You’ll turn into a biscuit one day.
Just like you predicted Thatcher would never be prime minister. 
You can’t predict the behaviour of witches, Jaci laughs.
The front doorbell rings.
That’ll be Mrs Evans come for a reading. Have you fed the new goldfish?
Yes, I fed the poor little sod. Do the Mrs Evans of your world really believe that staring at a fish swimming round and round a glass bowl will let you see their future? Jaci slams the door behind her. I bet I was also a surprise, John thinks. 

An hour later Jaci enters the empty kitchen. Standing at the foot of the stairs, she shouts, John, you up there? Silence. 
Next morning, exhausted from worry and no sleep, she reports John as a missing person to the police. She’s fobbed off with the usual homilies that it’s too early to be talking about a ‘misper’.

A year later, the doorbell rings. 
Have you found him at last? Jaci asks the female constable. 
Best if we sit down, Mrs Jones.
In the kitchen the WPC hands Jaci a photograph. Is this your son? 
Jaci bursts into tears.
He hadn’t paid his rent and not been seen for weeks. He was found in a caravan in Brean Down.
Through her sobs Jaci says, We went there when he was a nipper before his father did a runner. How did he die?
The pathologist is mystified; not drop of blood in his body and dry as parchment. 
Like a stick insect, Jaci sobbed. 
The van was stacked with hundreds of empty ginger biscuit packets. You look terrible. Shall I make us a cuppa?
The WPC sets mugs on the table and says, I’m starved. I’m sorry do you have a biscuit?


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Dove

A white dove shakes with fear; in six months the ancient olive grove has changed. No longer a place of tranquillity, providing shade from the burning sun for the flock of sheep and their Palestinian shepherd. Now, there is no shepherd, the sheep lie amidst the gnarled trunks of the cremated trees. The trees are dead. The sheep are dead.

What’s happened? The bird wonders, as it stares at the dense swarms of flies exploring the carcasses. Startled by a sudden noise, the dove flaps its wings to escape the surrounding horror. 
A viper slides across the razed grasses. Don’t go, it hisses. Are you a peace dove?
I am.
What do you want? the snake asks.
An olive branch.
You’ll need more than that with Netanyahu.
Did Netanyahu kill the sheep and burn the trees?
No, settlers did this.
Why?
To steal the land from the Palestinian farmers; Netanyahu likes that.
Surely killing the sheep and destroying the olive grove is stupid?
They are stupid. Sometimes it seems as if it’s more important to own barren land rather than allowing the Palestinians to keep what’s theirs.
How do you know? You’re just a snake, the dove says. 
I’m not just a snake. I’m a Palestinian viper! The Israeli government made me and my kind, the official snake of Israel, naming us the Palestinian viper to show their deep hatred of Palestinians. 
I don’t understand.
The snake hisses. Vipers are deadly poisonous. Palestinians are deadly poisonous. So? 
The dove nods, Palestinians and vipers are both poisonous and would be better dead. 
Got it in one. 
Have you been to the war? the Dove asks.
No. Too far for me. Anyway, I’d get killed and made into shoes.
I must see what’s being done.
Please come back and tell me.

The Dove hides amidst the rubble that was a home in the city of Rafah in Gaza. 

An old woman, entirely dressed in black, nurses a dead child as she sits amidst the domestic detritus created by the bombs. She weeps as she talks to the emaciated corpse in her lap. 

The Dove moves nearer to hear what she’s saying. 
Oh, my daughter’s daughter. Netanyahu and his kind are racists; we’re subhuman, and beneath contempt. At least you’ve escaped their racism. I was a teacher. I taught history. I told my students about Guernica in Spain in 1937 where Franco and his fascists murdered the innocents. I showed them Picasso’s painting. In 2024 Netanyahu and his army have murdered thousands, including using snipers to kill our children; no children means no future. 

The whine of a falling bomb is followed by a vast explosion near where they sit. 

Who will remember Gaza? Who will be our Picasso and paint our Shoah? Who will scream genocide? the woman shouts. 

Another bomb explodes. A blast of concrete shrapnel and glass lacerates the head and shoulders of the woman who falls dead.

The viper waits in vain for the dove to return.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Treats

With thanks to Liz.

Sister and brother, Lizbeth and Henry, stand across the road from Dairy Cottage, on Main Street, Somerton. Their Gran’s home is a long low listed-building with white walls and golden thatch.

I see they’ve finally got it up, Lizbeth says, seeing the sign, For Sale.
Things were always slow down here in Somerset, Henry replies. 
Better not let the locals hear you saying that.
Let’s go in, Lizbeth suggests.

The cottage is dusty and cold.
Are you still happy putting all her possessions in storage? Henry asks.
Yes. But it’s so upsetting, as if we were trying to say she’d never existed. I need time to decide what we should do.
Our kids will want a look.
They won’t want brown furniture; it’s out of date, Lizbeth says.
I can still smell her lavender perfume.
Me too.
Is that coffee still warm in your thermos? Henry asks.
Dust rises as they sit on the long slate bench in the dairy. They sip the coffee.
When was our last crazy summer holiday here with Gran? Henry asks.
I was ten.
I was nine, so, 1955.
So long ago, Lizbeth sighs. 
How old was she that summer? 
I’ll go and get the old family bible; by the way, can I take it home with me today?
Of course.
Lizbeth returns carrying the enormous, illustrated bible, and blows off the dust. She carefully turns the pages. Here we are. She was born in 1877. So, she was 78 in ’55. She was fun.
Or, maybe, crazy.
Not crazy. She lost the plot after that holiday and Mum and Dad said it wasn’t safe for her to look after us on her own again, Lizbeth says.
It made me sad at the time, but, I guess, mistaking beeswax for honey on toast wasn’t a great idea.
Or when the first supermarket in the village, the Coop, opened at the same time as Fish Fingers were launched; she thought frozen fish fingers were just like a ‘99’; she gave them us as a treat stuck in ice-cream cones full of vanilla ice-cream. 
Somehow, she didn’t realise they were fish, Henry laughs. 
She tried hers and thought it was a delicacy; we loved her, so, we ate on. Mum and Dad didn’t believe us.
But I had the evidence! I’d taken a photo on my little Kodak, Henry says. I miss her so much; we hardly ever saw her again after that summer.
Shall we go and see her grave? Lizbeth asks.

As they arrive at the grave, Lizbeth gasps, Oh, Henry! I never thought you’d make it.
I am a sculptor, after all.
They hug.
A beautifully carved ice-cream cone stands on a plinth, glowing in the sun. A rectangle of brown marble sticks out of the cone, with ‘Fish Fingers’ engraved at the top and ‘Gran was a real treat’, engraved in gold beneath. Do you think she’d be pleased? Henry asks.

If we stand very still, we’ll hear her laughing right now.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A Journey

Fast asleep, Kristof dreams. It is dark. Out of the darkness, a man, wearing a two-piece suit, joins him. Are you ready Kristof? He asks.
For what?
I’m your guide.
Don’t I know you? Kristof asks. 
Perhaps. Time to go. 
Where?
To places you’ve not seen.

Where are we? Kristof asks.
A bedroom in a care home.
Can the man in the wheelchair see us?
No.
Why is he sobbing?
Alwyn’s been broken by care less ness. Once he had a carer who came to his small bungalow each day. This was deemed too expensive. The carer was sacked; he’d learnt Alwyn’s chaotic language, was able to understand him, and interpret on his behalf. Alwyn’s disease means he can’t write and, without comprehensible speech, he’s imprisoned in his abject loneliness in room 79. They call him ‘mutey’; he’s forty-eight years of age; he’s expected to have a long life imprisoned in himself.
Enough, Kristof says.

Not yet, the man says. Meet Cyril and Mags in their bedroom in the Green Pastures retirement home. They believe their only purpose is to die in comfort with as little pain as possible; they had hoped Covid would have ‘seen them off’. 
Who’s that woman who’s just come out of the bathroom? Kristof asks.
Their new carer, Queenie. She believes it’s her duty to try and lift them from their depression through kindness, and her trust in her Jesus. 
Where you from? Cyril demands.
Tooting, Queenie replies.
But you’re black, Mags objects. Where you really from?
Right, Cyril shouts, you can piss off! We never came here to be amongst blacks.
I’m not having no blacks wiping my arse, Mags adds.
I can’t stand much more of this, Kristof whispers.

It’s three in the morning in the area immediately surrounding St Paul’s Cathedral. 
Why are there hundreds of small tents pitched everywhere? Kristof asks.
They’re the homes of rough sleepers. Perhaps they thought they’d be safe being nearer to the house of their God? Can you hear heavy boots thumping on the ground, van doors slamming, sirens blaring and men shouting? 
Yes, It’s the police. What the hell are they doing? Kristof asks.
Evicting the sleepers, destroying their tents and stealing their possessions.
I didn’t know about this.
Suella Braverman opined that the poor living in tents were making a lifestyle choice. The only thing to do was for those who did that should be prosecuted for a criminal offence. As ever, the cops thought they had license to do what they liked – before the law was enacted. 

Why are you wearing my best suit? Kristof asks. 
Ah, now you recognize me? 
Not sure. We’re close aren’t we?
Once. Now we’re estranged. You put your conscience aside.
You’re me as well, Kristof gasps, the truth dawning.
Yes, the part of you that made you human – conscience. 
But I’m not responsible for the things you’ve just shown me.
Ignorance and laziness are no excuse for careless inhumanity, Conscience says.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2024
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