The Aviator

Manfred, known as Fred to his friends, hates shopping and supermarkets. Fred’s trolley is empty as a woman carrying an empty basket staggers towards him. Christ, you’re a cracker, he thinks. She wears a startling multi-coloured capacious check dress that looks as if it may fall off her at any moment. Her grey and white hair is a riot of unruliness like an electrocuted character in a comic. Her intelligent face beguiles him. 

She stops in front of him. Who you gawping at? she laughs. Before he can reply she continues, My husband says he wants a new woman, like a new carpet to walk on. I told him to fuck off, she shouts. 
Shoppers ‘tut’.
Fancy a coffee in the café? Fred asks.
You chatting me up?
Would you mind?
If he wants a new fucking woman, I can have a new fucking man.

Fred brings their coffees to a table for two.
I’m Fred, he says. Short for Manfred.
Manfred? You don’t look like no German.
My dad was obsessed by Manfred von Richthofen, a German fighter pilot in the first world war. He was the ace of aces, winning over eighty dog fights in the sky.
Pull the other one; dogs don’t fight in the sky.
It’s daft. What’s your name?
Amy. She was an aviator from HulI. I often has this flying dream. Can I tell it you?
Fred nods.
I’m a bird, alone in a cage, then I’m standing in a field of deep green ground ivy. I run. The going’s tough. My clawed feet keep catching in the ivy. I fall. I’m a bird, I shout. I should be flying not running. I can’t remember how to fly, but I know I can, cos I’m a bird. Under my dress, this dress, I’ve grown feathers. I run, frantically flapping my arms, my dress flapping, like one of them windsock things. My arms ain’t wings. I rest. I start again. I run, I stumble, trip; my dress blows up in the wind with me knickers all on show. I’m desperate to fly, Amy starts to weep. I want to fly before I die, she sobs. Can’t afford it.
Hold my hand, Fred says. It’s okay. Come with me, I have an idea.

It’s raining outside. Two male security guards, in hi-vis jackets, run across the car park shouting, Hoi! You can’t do that. We’ll call the police. Amy sits in a shopping trolley as Fred races around the car park. Amy screams, Wheeeee. The hi-vis jackets lose ground as Fred pushes Amy’s trolley out onto the exit road. Christ, one says, he’s bleeding fit for an old git. Off his trolley, the other laughs.

Amy shouts, I’m flying. 

As they reach the top of the hill Fred jumps in beside her. They rattle down the slope laughing, until the trolley hits a curb. They lie on a grass verge lost in hysterical laughter.
I think I’ve found me a new man, Amy says.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Meanwhile

The king is in his counting house counting out our money.

Meanwhile. 

A massive black dog, a Newfoundland, with a faded black inflated car inner-tube around his neck is on his way to the vet’s; he wails in terror as he’s dragged to his destiny. He senses that something bad is coming. His owners tell him that it won’t be as bad as he fears. Somehow, he can smell it on the wind, perhaps his suspicion is inbred, perhaps it’s instinct, but he knows his desecration awaits; he will no longer be a dog and he won’t even bark like a castrato. 

The king is in his counting house counting out our money.

Meanwhile. 

There’s a small boat, with many people crammed on board; too many to count. The boat wallows in the English Channel, near the French coast, waiting to leave for England. The passengers are all people of colour. Each asylum seeker has a faded black inflated car inner-tube around their neck. The boat looks unseaworthy. The men and women are silent; they sense that something bad is coming. A storm is forecast. The trafficker tells them that all will be well, and it will not be as bad as they fear. The people on the boat know the history of the long journey they have endured to reach this moment. If they survive the crossing and come ashore, they somehow know, perhaps through instinctive suspicion, or experience, that they will be abused and disappointed; the dead will be merely numbers, the survivors no longer people, but statistics. Of the asylum seekers only five are rescued; no one knows the number of those who drowned. The promise that inner tubes provide protection is a lie, as is the fantasy that England is a haven.

The king is in his counting house counting out our money.

Shakespeare has John of Gaunt refer to England as this “sceptred isle … This other Eden, demi-paradise”. Gaunt concludes, “That England, that was wont to conquer others, Hath made a shameful conquest of itself.” It’s a tragedy of self-destruction that England has brought upon itself; or many tragedies aggregated to destroy human rights. 

The king is in his counting house counting out our money.

Meanwhile. 

The river Wye is running with shit. Like many of England’s rivers, it’s overwhelmed by faeces, and the sea is no better. Citizens pay for access to water that comes from the sky. Perhaps private companies that have stolen, and ‘own’ the water, plan to do the same with the air and make people pay to breathe. This, of course, is ridiculous, but so is the privatisation of water. But England is a capitalist state; it can never be a green and pleasant land overwhelmed, as it is, with the stench of shit, profit, capitalism and greed. Capitalism converts everything into a commodity, including rain, but worse, people are wage slaves.

The king is in his counting house counting out our money.

Meanwhile, the world is burning.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A Last Resort

The Leader stands on a wooden platform in Trafalgar Square. She raises her right arm in salute. The huge crowd roar their approval. All the paper and vellum originals and their copies of legislative documents relating to human rights in England, since time immemorial, are piled so high that the mound almost reaches Nelson’s feet on his column. Her voice booms through loudspeakers; the crowd chant her command; burn them. Pigeons flee their roosts. Mounted Hussars, in full dress uniform, carrying flaming torches move forward and simultaneously light the pyre. Tinder dry documents erupt into flames. Horses rear in terror. Smoke billows. The crowd cheers. Bright twisters of burning sparks are caught by the wind and escape into the night sky. Big Ben chimes. I had a dream, she shouts. Today is a great day for the pure English race. Today is a bad day for cultural Marxism and its lawyers, judges, meddlesome artists and do-gooders. Today is a good day for freedom from laws that hamper the rights of the English race. Free at last from perverse laws that protect homosexuals, transgenders, socialist pariahs and the invading hordes of aliens seeking asylum in their stinking sinking boats. Free at last! I say, Free at Last! Sink the boats! the crowd chant. Sink the boats! 

In her bedroom in the safe house, a gentle hand falls on her shoulder. Reluctantly she awakens from her dream. Who are you? What do you want?
It’s nearly time to go, Dallas.
Not going to Dallas, she says, struggling to wake from her euphoria.
Of course not, you’re going on a holiday, a resort, at the public’s expense.
What’s this Dallas thing?
The public don’t know Dallas is your nickname; your parents christened you after Sue Ellen from the TV series, Dallas.
It’s disrespectful. 
Respect must be earned.
What’s that supposed to mean?
You may be a bigot, but you’re not thick.
Who the hell are you?
Buchan, from MI5.
Who gave you the authority?
You did, by default. 
To do what?
When disaster looms and serious mistakes need to be fixed on the quiet, I’m called. 
Bloody hell! You’re that Buchan?
Yes. Look, here’s a surprise.
Enoch! Enoch Powell. You look awful with that shrink-wrapped skull. 
I may be long dead, but my ghost is full of virulent racism. 
I’m not a racist.
Nor was Hitler, Powell laughs.
I can’t be. My parents are of colour, Asian, and I’m a Buddhist.
You’ve done more to promote racism than I ever managed, Powell sighs. 
Your ‘Rivers of Blood’ speech was positively Shakespearean. 
Words are nothing. You’re deporting your own kind to Africa. Now, that’s inspired!
Time to get your flight, Dallas, Buchan smiles.
Where to?
Rwanda, Kigali. As you know the camp is out of town.
Not going there.
It’s your last resort, Buchan chuckles. Enoch is going with you on your hols.
Please, not with him, she wails. 
He’ll be your constant companion spewing bile.
I’ve been misunderstood, Dallas pleads.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

A House

In 1906 the religious order of Franciscans finished building a new house for their order and moved in. They called it Greyfriars. It was spartan and remained so. By the 1920s the house was fed up with the monks’ ideal of poverty; it was always cold and in disrepair. 

In 1940 the house was commandeered by officers of the Black Watch. When the soldiers left in 1949, the house had learnt all it never wanted to know about debauchery in all its forms. 

Greyfriars thought its days were numbered until 1956 when a couple bought it for a song and its happy days began. The new owners were Jackson and Elizabeth; known to all as Izzy and Jacks. 

As Izzy’s health deteriorated, Greyfriars was no longer spick and span. When dust clouds blew in sudden draughts, Jacks heard Izzy bellowing, For fuck’s sake, Jacks, get the bloody hoover, will you? He didn’t bother with cleaning but concentrated on caring for Izzy, to the exclusion of all else. Now, once the home of laughter and the convivial visits of many friends, are no longer, Greyfriars is angry. Not only is the house dirty but its impatient for the joy of human companionship. It no longer finds consolation in happy memories of the love between Jacks and Izzy that blossomed within the safety of its walls. 

In the early days of Izzy and Jacks’ life in Greyfriars it fell in love with her finding her beautiful. It felt lucky that it was furnished with invisible access to her body in various states of dress and undress. It never watched as she and Jacks made love; that was taking privilege too far. More than this, it couldn’t bear to watch them in bed together; that made it fearsomely jealous. But the cause of its love was not her body but her mind and vivacity.

When darkness in the house was at its worst, and loneliness crushed him, Jacks ventured into the garden. He knew he could escape Greyfriars, whilst it couldn’t escape itself, except by demolition. He shudders at the thought; he loves the place as does Izzy. Little did he know of Greyfriars’ passion.

Finally, as an elderly lady, she has a dangerous heart condition; in an emergency, Jacks places a tiny tablet under her tongue to save her life. One night, when Jacks is drunk, he can’t find the bottle in time. Izzy dies in his arms in their bedroom. Enraged, the house sees her death as murder. Greyfriars takes revenge. It locks the bedroom door with Jacks trapped inside, who, hysterical at Izzy’s death struggles to escape, frantic like a moth in a jar. The house makes every door and window impassible. 

Belatedly, neighbours raise the alarm; there’s been no sign of life in Greyfriars for weeks. Greyfriars opens its doors to the police who find Jacks’ and Izzy’s dead bodies. Greyfriars gives up the ghosts of those it has loved and lost. 

Six months later it’s a ruined corpse


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

The Expert

Julian knows he’s left it too long to do his duty. His heart sinks as he sees the large pink plastic box in which he’d dumped his father’s watercolours a year since; he feels obliged to sort through them before taking them to the tip. He knows it will be an ignominious fate after many hours devoted to rendering the beauty of the Welsh countryside, but from his point of view, as an expert critic, they failed in their intent. Dutifully sorting through them he’s suddenly stunned; one painting, signed and dated 1944, stands out from all the others; it’s relatively small, on thick paper, and extraordinarily beautiful. 

It is evening. The sun is setting. A glowing gossamer shawl of quin gold and burnt sienna covers all, fading into raw umber in the foreground. Hawthorn bushes are black silhouettes like vagrant ghosts, static in their endless wandering. There is no wind, no movement in the field of barley. The thick paper, amazingly, smells of summer heat. Julian can see nothing more than the landscape of which he now feels a part. At the edge of the field of barley, two brightly lit figures, sit side by side on folding stools behind an easel on which is displayed the identical painting he holds in his trembling hands. His incredulity soars. His heart races as the figures turn towards him. In disbelief he struggles to say the words in his head and finally gasps, My parents!

We wondered if you’d ever find us, his mother says.
How can you see me? You’re both long dead. You’re just marks on paper.
True, but here we are, from beyond our graves and you on your way to the tip. What do you think of our paintings?
I don’t know what to say, Mum.
You can’t think much of them, if you were going to throw them out.
How do you know that?
Even from when you were a boy, we felt your disdain.
Disdain? he asks, thinking, Jesus, they know. What do you mean ‘our paintings’? They’re Dad’s.
They’re ours. Why are they deemed unworthy? his father asks.
Your colour palette is weird and very …
Amateur? Lacks style? 
Sorry, yes, no…. This painting is beautiful. 
For once we got it right. All our paintings are about the joy of being and making. They’re life affirming. Ironically, we still care what you think of us. 
Why the word ‘our’?
Your Dad is colour blind. I’m his amanuensis.
Like Fenby for Delius?
Yes, but for colour.
But why haven’t I seen this painting before?
You were too full of yourself. Mr High and Mighty, with your art history doctorate. 
Oh, Dad.
It’s true.

Julian weeps. Eyes wide, he stares at the painting. Tears fall; they wash away his parents. Each tear splashes the paint. He sobs. Finally, all that is left, is blotched paper. It’s all too late, Julian says.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.

Forgiven

The sun is setting as Alexander closes the back door, oblivious to the loud click of the Yale locking behind him. He feels guilty as he stares at the raised beds, now fallen into dereliction, where Grace grew their vegetables before her illness. 

Looking down, Alexander sees a stag beetle lurching across the gravel and curses A.A. Milne for his poem; the nickname ‘Beetle’, oppressed him at school.  At University, one of his former tormentors was a fellow student and so ‘Beetle’ stuck even then. Alexander stoops and gently places the harmless, though fierce looking creature, in his hand and laughs as its tiny antler shaped jaws tickle his fingers. Unlike you, beetle, he muses, I was never brave. But I must have had courage to do it. It was only when he fell in love with Grace that he allowed her to call him, ‘my lovely beetle’.

The sky darkens. There’ll be rain, he thinks. Still carrying the beetle, he returns to the locked back door. Now where did I hide that emergency key? There’s no key in the flowerpots by the door. No need to worry; there’ll be a window open. He only starts to rage when, after a prolonged search, he can find no way in. Tired of hearing his children’s endless demands for an explanation, he’s left his old black telephone off the hook on the kitchen table, thinking that if this is the sum of their concern, so be it. I’ve lost their love but, at least, they paid my bail.

He sees Grace’s favourite shrub, a huge mock orange, its pure white blooms glowing against dark green leaves. Mock bloody everything, he thinks. The rain grows heavier. Still holding the beetle, he climbs in beneath the arching foliage of the shrub and crushes the beetle between his thumb and forefinger flicking its carcass away into the gathering darkness. The smell is somehow frightening, claustrophobic, reminding him of the night he secretly scattered Grace’s ashes amidst the trees of Beverley Westwood, and knew he’d done his duty, but not escaped so-called justice. 

Slowly, torrential rain drips through the bush. The smell of the blossom is intoxicating. He sighs, pulls his sweater more closely about him, lies on the bed of increasingly wet fallen leaves and twigs, and stares into the darkness, wanting to sleep forever. He remembers the Old Testament law: thou shall not kill; it isn’t comforting. Sleep finally overtakes him as his tears fall. 

There, in his sleep, Grace speaks, There was no escape for me, my love. The pain destroyed me. You did all you could. Medicine failed. Not a single drug worked.
I love you so.
It was only your love that helped me to escape. 
It was illegal.
It was merciful.
Our children hate me.
You put me first. You need no forgiveness for being the bravest of beetles. 
Alexander, opening his eyes, whispers, If I was dead there’d be no trial, and I might be forgiven.


I hope you enjoyed this story. Please feel free to pass it on to others who may be interested. You can read my previous 500 word stories on my website www.philcoskerwriter.com under ‘Writing’.>>>More

© Phil Cosker 2023
Phil Cosker has asserted his right under the Copyright, Designs & Patents Act 1988 to be identified as the author of this work. All rights reserved; no part of this work may be reproduced or transmitted by any mean, electronic, mechanical, photocopying or otherwise without the prior permission of the author.