“PIGS IN HEAVEN”

pigs in heaven

Barbara Kingsolver’s novel ‘PIGS IN HEAVEN’ (1993) is intriguing.

Initially there is something ‘Updike-like’ about Kingsolver’s prose – sharp ironic writing laced with humour. Early on – “Alice wonders if other women in the middle of the night have begun to resent their Formica.” Later – “You might see things better on television, but you’ll never know if you were alive or dead while you watched.” But, unlike Updike there is a sort of inevitability, a preordainedness, here that is quite different from the tension of the Rabbit books. It’s not a tragedy but rather a celebration of love over adversity.

The portrayal of the Cherokee Nation as a haven of familial support, love and joy makes no substantial reference to the impact of significant poverty and racism instead representing an ideal state of oneness in ‘Heaven’ that it would be a joy to be part of (some of the time).

The plot – no spoilers – resolves itself as if by magic – which is what it is – a ‘romance’ in which the best of all possible worlds comes about through (apparent) serendipity aligned with the scheming of Ms Annawake Fourkiller and the finger of god suggesting the inevitability of the victory of good over evil.

This novel feels good and there’s little harm in that right now in the midst of Brexit and the idiocy of Trump. Nothing wrong at all with love winning the day, but … the pain that has been suffered, the legacy of sadness, to get to that ideal ending is but chaff blown away, and almost forgotten, in a gentle breeze from the idyllic world of the Cherokee Nation in Heaven. But rock on – we could do with more of it! I enjoyed it.

 

 

 

 

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